Download Video Shooter, Second Edition: Storytelling with HD Cameras by Barry Braverman PDF

By Barry Braverman

ISBN-10: 0240810880

ISBN-13: 9780240810881

It is not adequate simply to be technically useful along with your video cam or even together with your variation software program. you want to understand the fundamentals of filmmaking to inform your tale even if you're in the back of the studio's motion picture digital camera or conserving your FlipVideo.

Barry Braverman promises the fundamentals of filmmaking during this booklet geared to amateurs. all of the "geeky" information are the following, and this publication delivers a better admire for the craft for those who see what percentage technical points are concerned about developing anything that tells your tale successfully and wonderfully.

Everything out of your digital camera to lighting fixtures, audio, publicity keep an eye on, body cost, microphones, apparatus, composition and framing, colour correction and stability and masses extra. there's a bankruptcy on DVD burning (something i have had concerns with while making my very own) so while you are generating movies internally at your enterprise for education or different reasons, this is often particularly priceless.

This is a truly available technical guide that may solution the query "Why did not i am getting the video I observed in my head?" obviously, you will not manage to digest this complete e-book at one sitting or maybe ten sittings. bit by bit, taking this one subject at a time, you actually might be instructing your self video making method. wanting taking a workshop or direction in filmmaking, this ebook supplies an enormous volume of technical information that would enhance your movies from fuzzy, jittery domestic videos to professional-looking productions that might make you proud as an artist. A needs to for a person remotely thinking about their videocam. an immense source.

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Extra info for Video Shooter, Second Edition: Storytelling with HD Cameras

Example text

47 Acknowledging the power of the log line, Studio marketing departments consider and reconsider a movie’s tag phrase ad nauseam (a). For Bottle Rocket (1996), Columbia Pictures pawed over dozens of potential log lines before making its choice (b). EMBRACING YOUR LIMITATIONS Whether bound by a tiny budget, sub-standard equipment, or too few crew, the limitations imposed on a project can be a positive force in your storytelling. Consider the eloquence of Vittorio DeSica’s The Bicycle Thief. In postwar Italy amid the devastation of the Second World War, the filmmaker had barely scraps of film to capture his story.

Come around! (b) The “lazy” close-up. (c) Correct. When dollying into a close-up, the size and position of the talent in frame may be subtly adjusted. Focus and exposure may also be seamlessly tweaked with the repositioning camera. (d) A shooter crouches uncomfortably to achieve the proper eyeline. 31 32 Video Shooter: Storytelling with HD Cameras THE POWER OF EYELINE As noted in the campaign rally scene from Citzen Kane (Fig. 21a), an eyeline captured from below can impart power and stature to a subject, while an eyeline looking down diminishes the subject, as might be appropriate in an interrogation.

Telling a good story? Just as in any good book or piece of folklore, there must be compelling characters; in my case, I had the discarded junk: the Chase & Sanborn coffee tin turned makeshift heat sink, the pitched squeal of a 1950s tube amplifier, and the romance and thrill of a universe populated by fringe patterns and amorphous splashes of color. To most folks, including the Army brass, The Sound of Color seemed plausible and relatable – the two criteria that also happen to lie at the heart of every good screenplay, movie, or television show.

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Video Shooter, Second Edition: Storytelling with HD Cameras by Barry Braverman

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